Zootopia

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Grade: B +

Director: Byron Howard, Rich Moore and Jared Bush

Starring the voices of: Ginnifer Goodwin, Jason Bateman, Idris Elba, J.K. Simmons, Jenny Slate, Nate Torrence, Octavia Spencer and Bonnie Hunt

MPAA Rating: PG

Running Time: 1 hr. 48 min.

Smart, funny and thoughtful, Zootopia is one of the finest Disney-proper animated feature films in many years. The film isn’t a product of Pixar, the Disney subsidiary, but perhaps the best compliment that can be paid to Zootopia is that it would fit seamlessly in the esteemed Pixar canon. The film lends itself to repeat viewings by audiences of any demographic, including the essential parent-child pairing. It’s a buddy-cop movie, an animal education primer, a movie parody, a coming-of-age flick, and a gateway into earnest discussions about racial and gender prejudice, bullying and cultural inclusiveness.

Judy Hopps (brilliantly voiced by Ginnifer Goodwin) is an ambitious, diminutive bunny in an alt-universe populated by anthropomorphic animal species. The instinctive conflict between predators and prey has been erased, although preconceptions about differences between species remain. She’s bred in a backwater “burrow” to limit her aims. “It’s OK to have dreams,” declares Judy’s aw-shucks, carrot farming dad (Don Lake), “just just as long as you don’t believe in them.”

However, Judy dreams of becoming the first rabbit cop in the metropolis of Zootopia. Although predators make up 10 percent of the population, they still occupy most positions of authority, from Mayor Leodore Lionheart (J.K. Simmons) to Police Chief Bogo (Idris Elba), a grouchy water buffalo.

So even after graduating at the top of her police academy class, Judy quickly hits a glass ceiling. Bogo assigns her to meter maid duty, and she’s further reprimanded when her successful apprehension of a shifty bandit wreaks more havoc than Bogo deems worthy.

But Judy’s upbeat exuberance, and friendship with little lamb Dawn (Jenny Slate), Zootopia’s deputy mayor, soon puts Judy on the trail of a missing otter. Judy has 48 hours to find the otter or be fired, so she reluctantly enlists the help of Nick Wilde (Jason Bateman, equally tremendous), a cynical sly fox and Judy’s newfound foil. Judy and Nick’s snooping undercovers an epidemic where predators are reverting to their base savage instincts. This plot turn further widens the allegory to mass fear, hysteria and stereotyping.

While the issues are weighty, the wit remain breezy and biting. Directors Byron Howard (Tangled), Rich Moore (Wreck-It Ralph) and Jared Bush craft fully realized districts, from Little Rodentia to Tundra Town and the upscale Sahara Square. There’s a running riff on The Godfather involving an arctic shrew crime boss named Mr. Big. A DMV office literally staffed by slow-moving sloths is the film’s comedic showstopper.

The whodunit caper drags in parts, and its resolution is a tad tidy and anti-climatic. And the film’s theme song, “Try Anything,” sung by a slinky pop star gazelle voiced by the slinky pop star Shakira, is used once too often and too cloying and synthetic by half. But these are minor quibbles for this amusing “Animal Farm” analog.

Wreck-It Ralph

Don't you dare say this movie's the pits

Grade: B –

Director: Rich Moore

Starring the voices of: John C. Reilly, Sarah Silverman, Jack McBrayer, Jane Lynch and Alan Tudyk

MPAA Rating: PG

Running Time: 1 hr. 48 min.

You don’t have to be a video gamer to enjoy Wreck-It Ralph, but it sure helps. Cameos by Pac-Man, Q*bert and Sonic the Hedgehog are only the tip of the gaming giddiness also conjured by thinly veiled versions of arcade and console favs from Super Mario Bros. to Halo. The reason you don’t see the actual Mario or Cortana is likely a matter licensing, an irony for a film so whetted to brand promotion.

Indeed, there’s something incestuous about animated entertainment grounded in the alternate realities of other animated entertainment. And there’s something repetitive about yet another animated movie about the bad guy who yearns to be good: Shrek, Puss in Boots, Despicable Me, Megamind, and so on.

For 30 years, Ralph (voiced ably by John C. Reilly) and Felix (Jack McBrayer, 30 Rock) have starred in a Donkey Kong knockoff called Fix-It Felix Jr. Every day, Ralph destroys an apartment building, and Felix, his magic hammer and the building’s inhabitants rebuild their home and toss Ralph off the roof. At night, Felix and his friends relax in their condos while lonely, ostracized Ralph settles down a safe distance from the decent 8-bit folk.

Weary of laying his head on a literal bed of bricks and being treated as a pariah in his virtual community, Ralph leaves Felix Jr. and e-ports away in search of glory and respect. First up is a 3-D military-style game named Hero’s Duty, a mélange of Call of Duty and Starship Troopers, where the curvaceous, battle-hardened narrator Calhoun (Jane Lynch) comes programed with her own tragic wedding day backstory.

The film’s latter half, however, takes place in the game Sugar Rush, a candy land where the product placement is as relentless as the confectionary hues. There Ralph befriends Vanellope (Sarah Silverman, superb), a sassy sprite who is a “glitch” in the game’s system. There’s a big race that Vanellope needs to win in order to correct her pixilated predicament and be able to venture outside her game (explanation unknown and never provided).

This collision of old and new video games isn’t just a contrast in evolving technology. It’s an appraisal of the changing mores of youth over the past quarter century or so. The low-fi innocence of Fix-It Felix Jr. has given way to hyper-violent fare like Hero’s Duty. In a limited way, Wreck-It Ralph does the same, sprinkling vapid scatological references in a genre built on Cinderella and Mickey Mouse.

All the eye candy obscures a few story flaws, chief among them that Ralph and his defection are blamed for nearly seeing the plug pulled on Fix-It Felix Jr., with no culpability assigned to the denizens whose shabby treatment of their game’s costar pushed him off the grid.

But who cares about plot continuity when there’s a big race, big battle and big reveal to get to?  There’s a lot in Wreck-It Ralph to please Xbox-owning kids and their erstwhile arcade-going parents. But, like a disappointing version update, it might look better but it’s still the same game.